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Ghost Canyon

Title - 'Rhythm & Romance' (Concord)
Artist - Kenny G.

For those who are unfamiliar, Kenny's music is mainly instrumental and performed on the soprano saxophone (with occasional diversions onto tenor), although this album, along with most of his other mainstream albums contains a couple of vocal numbers, this time in a soul-latino style.

Whilst many would have him classified as a producer of "elevatot muzak", one can only wonder at his undoubted ability and musicality whether or not one actually likes his commercial music. Kenny has mastered the art of producing hummable tunes that get stuck in your head and yet, at the same time, are wonderfully relaxing and enveloping in one swoop.

One cannot fail to feel just ever-so-slightly sentimental when listening - a rare accomplishment for something that is essentially background music. Kenny's often described as a jazz musician but whilst one could (and probably should) argue that this is far from jazz, there is still the kind of soulful, relaxed air about each piece that will occasionally produce a slight spine shiver if the ambient mood is right. "Rhythm and Romance is a unique combination of rich Samba, Salsa and Bossa Nova love songs anchored by Kenny's intoxicating and signature saxophone melodies.

From the classic ballad "Sabor a Mi' to the romantic staple "Besame Mucho", Kenny has created a tantalizing album unlike any other in his catalogue.

On this seductive album, Kenny performs with some of the best Latin musicians including Alex Acuña of Weather Report (drums), Ramon Stagnaro (guitar), John Pena (bass), Michito Sanchez (percussion) Enrique Martinez (accordion), Nathan East (bass), Paulino Da Costa (percussion) and producer Walter Afanasieff (piano) to create a truly infectious rhythmic style.

The album also features guest vocals by rising Chilean star Barbara Munoz and Spanish-speaking pop/rock sensation, Camila. Despite the grumblings of true jazz lovers, purists and snobs, Kenny G has used his musical talents to successfully blend a pop-oriented appeal with a smooth jazz sound into much success over the years.

But even he must have realized that the time had come to take his music into a new direction.





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