At a very youthful 44, Golden Globe nominee Marisa Tomei is discovering intense, very sexual women to play, such as the stripper and single mother scared to form a romantic relationship with Mickey Rourke’s wrestler.

But she loves the challenge and doing sex scenes at this time in her life is no big deal, as she told to me in this recently conducted interview. So, was it this character or working with Darren (director), that you really wanted to do? (Marisa) "Well, it was mostly that I really wanted to work with Darren. And I have just respected him for so long, and I just couldn’t say no. Couldn’t resist him."

Did you do any research for playing a stripper?! "Darren talked to a lot of girls beforehand, and he asked a couple girls to come and talk to me, then I went to a bunch of clubs on the different coasts, because I was living in LA, and I get back to New York. The usual way."

What did you discover during this process? "Well, I mean, it’s just like any other group. You know, there are a lot of stereotypes and I think that Darren really wanted to avoid them. He didn’t want it to just be hooker with a heart of gold, like, a really downtrodden character. So I tried to focus on the dancers in the business who are really creative. Who get something really empowering out of their dancing, and who are kind of more like good-time girls, rather than just really hard luck cases."

How gratifying is it for you that the older you get, the richer the roles seem to be coming your way? "Well, it’s really nice to just keep working, and finding really good character parts."

It’s interesting that you have explored various aspects of your sexuality in some of these last few indie movies that you’ve done. Is it empowering for you as a woman, at this particular stage of your life, to be able to do that? "Well, I just think that it’s nicer to have a stronger foundation inside, and not – and feel in control of my body."

Is it nerve-wracking to do the kind of stuff that you have to do in this movie, and the other movie you did with Philip Seymour Hoffman, which I thought you were absolutely amazing in? "Well, it’s the most natural thing in the world, really, so it’s kind of probably easier than some emotional – some things that an actor is asked to do. But – you know, it depends who you’re with. And of course, I was with Sidney Lumet, and the guys who I’ve had to work with have just always been – it really brings out their protective side, actually."

Two decades after winning your Oscar, are you kind of surprised that you’re still working as much as you are at the moment? And are you looking for different things than you were when you were in your 20s? "Well, I’ve always done a lot of plays, and I have always worked, hoping that I’ll continue working as long as I can."

What are you looking for, at this particular stage? "Well, I’d like to do some period films. I’d like to do a musical. I’d really like to do Sweet Charity, but they just did it. So I don’t know when the next – I don’t know about that. But that would be something I’d be interested in. Those are some of the different genres I’d like to do. There are a lot of great directors, and I’d like to be in some leading roles."

How picky are you? "Well, I like to work. But I don’t really want to work if my heart isn’t in it. And that – you can’t always – it’s not always that way. I mean, sometimes it’s more for money, and sometimes it isn’t. But for the most part, I really can’t commit to something unless there’s something that’s gonna awaken me every day, and I’m gonna feel enlivened, and feel like there’s something that’s piquing my curiosity."